Stage 1 · the rough
Reading the crystal
The rough is studied for colour zoning and inclusions to find the one outline that keeps the most fire.
RA 17h 45m 40s · Dec −29° 00′ 28″
Allie Shahbazi designs high jewellery around the Milky Way: rare coloured stones, spiral arms traced in gold, and settings drawn from the geometry of the night sky. Every design is exclusive to the house.
The collection
Each centre stone is examined under the loupe long before a setting is drawn. The colour decides the constellation, never the other way round.

A pink oval held to the light, the last inspection before it is set among a halo of smaller stones.

The finished oval beside its rough, resting on the cutter's face-up drawings and table proportions.
The atelier
Every piece moves through the same three stages, and none of them is rushed.
Stage 1 · the rough
The rough is studied for colour zoning and inclusions to find the one outline that keeps the most fire.
Stage 2 · the drawing
Face-up view, table percentage and pavilion depth are drawn by hand, the way a chart maps a constellation.
Stage 3 · the setting
The stone is set in gold traced along spiral arms, with accent stones placed like the stars around it.

The maison
The maison rises at dusk, when the city turns the colour of the metal the house works in. Commissions begin here, and the finished pieces return here to be presented.
Gold at sunset, stones at midnight.

Private clients
Collectors are received one at a time. Bring a date, a constellation, or a stone already in the family, and the atelier designs around it.
Names are never published, and no commission is ever shown without permission.
Private viewings
allieshahbazi.comViewings and bespoke commissions are arranged by appointment through the house website.